By SpekkTrumn
If you’ve been paying attention to Zimbabwe’s urban music scene, you’ll know that Chitungwiza isn’t just a location (or Zimbabwe's third most populated city) ; it’s a movement.
From the people's champion Voltz JT, the Trap Sungura founder Tanto Wavie to the genre-bending energy of Saintfloew, this township has birthed some of the most influential voices in Zim Hip-Hop. As Mbare has become synonymous with Zim Dancehall talent, Chitungwiza is clearly it's Zim Hip-Hop counterpart.
Now, another name is echoing through the streets and streaming platforms: Flash Twentyeight, formerly known as Saint Flash28.
Flash Twentyeight’s evolution isn’t just cosmetic; it’s strategic. The name change signals a shift in sound, ambition and identity. While his earlier work leaned into raw street energy, his recent releases show a sharpened focus on anthemic hooks, collaborative chemistry and sonic versatility.
One of his breakout moments came with “Taka Winner”, a high-energy track featuring last year’s breakout Zim Dancehall sensation Madedido.
The song blends trap-infused rhythms with dancehall swagger and Flash’s hook work is undeniable. You can catch the official video on YouTube and feel the chemistry that makes this collab a standout. This is the second of his recent collaborations with Zim Dancehall's new school.
Earlier this year, Flash linked up with rising Zim Dancehall star Jnr Spragga (another Chitungwiza native) for the track Kumusoro - a title that literally means “upward” or “to the top.” It’s more than a song; it’s a statement. The official video showcases vibrant visuals and a beat that demands movement.
Flash’s chorus is infectious and Spragga’s verse bring the fire, reminiscent of the Soul Jah Love influence that birthed his style. Together, they deliver a track that feels like a victory lap for Chitungwiza’s new generation. Currently sitting on 73K views it shows that the motion is there.
Flash’s strength lies in his ability to craft hooks that stick. Think of him as a melodic architect—someone who understands how to build a chorus that lives rent-free in your head.
It’s a skill that may draw comparisons to Scrip Mula, another Chitungwiza native whose influence on Zimbabwean Hip-Hop is nothing to sleep on. Like Scrip, Flash knows how to balance lyrical grit with commercial appeal.
What makes Flash’s rise so compelling is the context. Chitungwiza isn’t just a hometown—it’s a creative crucible.
Artists from this area don’t just make music; they make movements. Flash is part of a lineage that includes producers, rappers and videographers who are reshaping Zimbabwe’s soundscape from the ground up.
Flash Twentyeight isn’t just thriving in studio sessions; he’s building momentum across platforms. His YouTube channel features an ever-growing catalog of visuals. On TikTok, he’s part of the Zim Trap Dancehall wave, pushing culture and sound with every post.
What’s Next?
With a growing fanbase, a knack for collaboration and a sound that bridges genres, Flash Twentyeight is poised for a breakout moment. Whether it’s another collab with rising stars or a solo project that defines his lane, one thing’s clear: Flash isn’t just making music, he’s making strategic moves.
Check him out using the attached links on the article and let us know how you feel in the comments
